It may have been John Carpenter’s Hallowe’en in 1978 which is generally regarded as the film which brought the slasher horror subgenre to prominence but it was far
There is an adage which states that those who cannot do teach. In modern filmmaking, the corrolary has become that those who cannot do make found footage films,
Like Lost in La Mancha to Terry Gilliam’s The Man who Killed Don Quixote (which ironically is in production again, fifteen years after original thwarted attempt), there are
Released in 2010, Gareth Edward’s Monsters was “the little film that could.” His debut feature film, funded for less than $500,000, it toured the festival circuit to great
It opens with a sombre funeral, but as soon as the mourners depart Waldo Trumbull (Vincent Price) and his assistant Felix Gillie (Peter Lorre) of Hinchley and Trumbull’s
“The Canadian film industry of the 1970s was… rudimentary,” recalls producer Ivan Reitman in one of the interviews accompanying Arrow’s newly restored Blu-ray of Canadian writer/director David Cronenberg’s
We have recently had “Super Bowl Sunday,” and ignoring the actual sport side of it, the spectacle surrounding the event has become more of a cultural phenomenon than
The male locker room of a small town American high school, driven by the twin tribal ethics of bravado and bullying; when there isn’t a predator to eliminate
With most of Stanley Kubrick’s thirteen feature films now available on Blu-ray, Arrow are plugging the last gap in the list by releasing two of his earliest, The