Originally released in February 1990, there were high hopes for Nightbreed, the new film from acclaimed writer Clive Barker whose feature directorial debut Hellraiser had captured the attention
Few would deny that the approach has been anything other than Marvellous, a strategy a decade in the planning and execution which has seen ten linked films released
Starring former Harry Potter Daniel Radcliffe, The Woman in Black, based on the novel by Susan Hill, was a conscious effort to introduce British horror studio Hammer to
There are films with ambition, films with a message, films crafted to inspire and elate, to inform, to enlighten, to horrify, to criticise corporations and condemn regimes, to
“Every person living on this planet has their own unique pair of eyes,” says Ian Gray, father, husband, scientist: he is bound by what he can observe, measure,
“I didn’t make it as a horror film, I made it as a statement,” says writer/director Michael Armstrong in the interview accompanying Arrow’s Blu-ray release of Mark of
Riding on the crest of a wave of box-office success in the USA, The Maze Runner now hurtles into multiplexes nationwide, the latest in an increasingly desperate succession
Science fiction is most often the medium of the future, looking forward to a tomorrow which may be brighter or may be troubled but will certainly be different,
Like the unstoppable killers of innumerable horror franchises, nothing shouts “do it again!” faster than a box office return which dwarfs the original studio outlay. With takings of
