Starring former Harry Potter Daniel Radcliffe, The Woman in Black, based on the novel by Susan Hill, was a conscious effort to introduce British horror studio Hammer to
There are films with ambition, films with a message, films crafted to inspire and elate, to inform, to enlighten, to horrify, to criticise corporations and condemn regimes, to
“Every person living on this planet has their own unique pair of eyes,” says Ian Gray, father, husband, scientist: he is bound by what he can observe, measure,
“I didn’t make it as a horror film, I made it as a statement,” says writer/director Michael Armstrong in the interview accompanying Arrow’s Blu-ray release of Mark of
Riding on the crest of a wave of box-office success in the USA, The Maze Runner now hurtles into multiplexes nationwide, the latest in an increasingly desperate succession
Science fiction is most often the medium of the future, looking forward to a tomorrow which may be brighter or may be troubled but will certainly be different,
Like the unstoppable killers of innumerable horror franchises, nothing shouts “do it again!” faster than a box office return which dwarfs the original studio outlay. With takings of
It’s not a typical apocalypse, nor was the inspiration as obvious as the inescapable cold war angst during the escalating tensions between Reagan’s America and the revolving political
Do zombies eat the flesh of the dead, or only the living? Given sufficient need, will zombies even feast upon each other? Given the evidence of the pilot
