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We Are What We Are

It’s the quiet ones you have to watch out for. Released in 2010, Jim Mickle’s Stake Land arrived without huge fanfare, the bold individuality of the production belying
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Skinwalkers

Nothing is so reassuring as to the quality of a film as to rename it before releasing it in a new market in the hopes that any previous
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RoboCop

For all the largely justified despondency generated by the endless cycle of unwanted sequels and unnecessary remakes, few have generated as much vitriol as the announcement that Paul
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Kiss of the Damned

Vampires. Immortal, seductive, destructive, the lonely hunters who walk the night. They have been reinvented time and again in the stories of each generation, from Polidori’s The Vampyre
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Banshee Chapter

At its best, the found footage genre manages to convince the audience that it is a genuine document, materials retrieved and assembled in the public interest, often relating
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Devil’s Due

The story of an expectant mother carrying satanic offspring in her viscera first germinated in horror cinema over forty years ago, from Rosemary Woodhouse consuming raw liver, or
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