It opens to the sounds of gunfire and images of war, the dead, nothing spared, a tone which continues throughout Yasuzo Masumura’s Red Angel (赤い天使, Akai Tenshi), adapted
A country largely closed to outsiders for most of its history, its society built upon codes of behaviour and deference, who can say what complex circumstances and fears
A prolific filmmaker who directed almost sixty features in his career, sometimes as many as three or four a year from the late fifties to the early seventies,