Author: Michael Flett

There are some works which remain confined to the time in which they were crafted, which now serve only as a quaint illustration of a bygone age, when

It is safe to say that Laura Drake has issues; blindfolding her gentleman caller before allowing him into her bedroom, she is aggressive and demanding and finally drives

In search of neolithic sacred sites, Howard Hallenbeck drags his reluctant wife and bickering young children around the towns and villages of Ireland, but in rural Rathmore he

A war which has raged for decades, while the opposing forces of the Norts and the Southers may have dwindled in their numbers their determination has only increased,

The zombie epidemic showing no signs of being repelled, the different variations of the infection explored as thoroughly as the different arenas in which the invasion might be

Closing the opening night of Dead by Dawn, from South Africa came The Lullaby, directed by Darrell Roodt from a script by Tarryn-Tanille Prinsloo. Named Siembamba in its

With its UK premiere at Edinburgh’s Dead by Dawn Horror Film Festival, following hot on the heels of its world premiere at San Jose’s Cineworld Film and VR

In the job, there are the bad days, and there are the worse days. Los Angeles, a divided city of great wealth and pitiful slums, of two populations

The recent twenty fifth anniversary of Edinburgh’s Dead by Dawn international horror film festival having taken over the Filmhouse for a weekend of features and documentaries including the

We live in a society in which automation has become so commonplace that its absence is more surprising than its presence, from suggestions which prompt our next online