Author: Michael Flett

Animation has long been the cost-effective option for studios wishing to expand a successful franchise without the necessary expense of a live action production requiring sets, costumes, lead

“Do they know I’m… Do they know I’m black?” asks Chris Washington, about to travel to the country to meet the family of his girlfriend of four months,

Introducing the world premiere of Bloodlands at the FrightFest strand of the 2017 Glasgow Film Festival, writer/director Steven Kastrissios said that there had been an expectation for the

The year is 2032 and London is in a state of emergency, supplies running low, the homeless crammed in shelters as the world grinds to a slow and

She rides through the streets of Paris on her moped in the cold November air, from boutique to jeweller, blank cheque in hand before she returns to the

In the Yellow Sea off the coast of South Korea the research vessel Yongang sits at anchor, ostensibly in international waters yet too close to Seoul for comfort

On the streets of occupied Paris there is unfathomable danger, both to those inhabitants trapped inside the quarantined city and the Nazi army in ostensible control but themselves

The progress of a slime mould is slow but inevitable, and sure enough, three years after the cinema release of when it won the best director prize in

Pleading for funding for an expedition to a previously uncharted island discovered by satellite photography in the Pacific Ocean, Bill Randa reasons that if the United States have

As part of a twenty six date tour around the country, writer/director Ben Wheatley arrived at Edinburgh’s iconic Cameo Cinema on the evening of Tuesday 28th February, on