In a garish hotel room, Nicholas Eastman (Maleficent‘s Brenton Thwaites) receives a message from the individual who identifies himself as Nomad. Having already hacked into the systems of
It may have been John Carpenter’s Hallowe’en in 1978 which is generally regarded as the film which brought the slasher horror subgenre to prominence but it was far
There is an adage which states that those who cannot do teach. In modern filmmaking, the corrolary has become that those who cannot do make found footage films,
Like Lost in La Mancha to Terry Gilliam’s The Man who Killed Don Quixote (which ironically is in production again, fifteen years after original thwarted attempt), there are
Released in 2010, Gareth Edward’s Monsters was “the little film that could.” His debut feature film, funded for less than $500,000, it toured the festival circuit to great
It opens with a sombre funeral, but as soon as the mourners depart Waldo Trumbull (Vincent Price) and his assistant Felix Gillie (Peter Lorre) of Hinchley and Trumbull’s
“The Canadian film industry of the 1970s was… rudimentary,” recalls producer Ivan Reitman in one of the interviews accompanying Arrow’s newly restored Blu-ray of Canadian writer/director David Cronenberg’s
The male locker room of a small town American high school, driven by the twin tribal ethics of bravado and bullying; when there isn’t a predator to eliminate
It’s not enough to have a big budget; the major studios love to throw their money around, actively boasting about how much their latest tentpole picture cost as
“In Neptune, the past was always grabbing your ankles, trying to pull you back.” It’s always been true for Veronica Mars, and she has more past than most,
