Author: Michael Flett

Is this real life or is this just fantasy? For Amelia, her life has been a living nightmare since the rainy day her husband Oskar drove her to

It’s not been an easy life for John Constantine. A cynical chain-smoking working class magician and occult detective decades before Harry Dresden made it trendy, his greatest misfortune

Originally released in February 1990, there were high hopes for Nightbreed, the new film from acclaimed writer Clive Barker whose feature directorial debut Hellraiser had captured the attention

By night, car taillights recede into the distance, a pattern of shifting red. By day, Tom and Jan sit by the M6, the camera shifting towards them as

There are films with ambition, films with a message, films crafted to inspire and elate, to inform, to enlighten, to horrify, to criticise corporations and condemn regimes, to

“Every person living on this planet has their own unique pair of eyes,” says Ian Gray, father, husband, scientist: he is bound by what he can observe, measure,

“I didn’t make it as a horror film, I made it as a statement,” says writer/director Michael Armstrong in the interview accompanying Arrow’s Blu-ray release of Mark of

Science fiction is most often the medium of the future, looking forward to a tomorrow which may be brighter or may be troubled but will certainly be different,

Like the unstoppable killers of innumerable horror franchises, nothing shouts “do it again!” faster than a box office return which dwarfs the original studio outlay. With takings of

It’s not a typical apocalypse, nor was the inspiration as obvious as the inescapable cold war angst during the escalating tensions between Reagan’s America and the revolving political