Author: Michael Flett

The concept of the first volume of The ABCs of Deathwas simple: an invitation extended to filmmakers the world over to submit a short film based around an

One of the most prolific writers of modern times, the works of Stephen King have become a film genre among themselves, his diverse styles breeding a veritable catalogue

Some call it Bigfoot, some call it the Sasquatch, and in other parts of the world similar legends persist, the Yowie of Australia, the Yeren of Mongolia, the

Is this real life or is this just fantasy? For Amelia, her life has been a living nightmare since the rainy day her husband Oskar drove her to

It’s not been an easy life for John Constantine. A cynical chain-smoking working class magician and occult detective decades before Harry Dresden made it trendy, his greatest misfortune

Originally released in February 1990, there were high hopes for Nightbreed, the new film from acclaimed writer Clive Barker whose feature directorial debut Hellraiser had captured the attention

By night, car taillights recede into the distance, a pattern of shifting red. By day, Tom and Jan sit by the M6, the camera shifting towards them as

There are films with ambition, films with a message, films crafted to inspire and elate, to inform, to enlighten, to horrify, to criticise corporations and condemn regimes, to

“Every person living on this planet has their own unique pair of eyes,” says Ian Gray, father, husband, scientist: he is bound by what he can observe, measure,

“I didn’t make it as a horror film, I made it as a statement,” says writer/director Michael Armstrong in the interview accompanying Arrow’s Blu-ray release of Mark of