Hollywood can be an extremely fickle place. The pursuit of art and expression is a rather unquantifiable goal, and when dreamers find themselves in studios who see only
The lonely old country mansion with a sad history is the typical setting for a traditional horror story; strange then that writer/director William Brent Bell of The Devil
Riding a wave of expectation fuelled by an extended tour of film festivals around the world, premiering at Sundance in January 2016 and most recently at the Glasgow
Turkish writer/director Can Evrenol is no stranger to Glasgow Film Festival’s FrightFest, experiencing the weekend horror strand first as an attendee then with the original version of Baskin
It’s been two years since writer/director Joe Begos attended Glasgow Film Festival’s FrightFest with his debut feature Almost Human; while it was could not have been described as
Described by Johannes Roberts as “a love letter to Stephen King” at the UK premiere screening at Glasgow Film Festival’s Fright Fest weekend, though he later clarified that
The opening film of the main Fright Fest weekend was screened in a celebratory atmosphere, the tenth year the horror strand has featured at the Glasgow Film Festival.
It is over fifteen years since the first wave of J-horror broke on the shores of America, Ringu, Dark Water, Ju-On, carrying with them in their wake The
It doesn’t need to have big money, it doesn’t need to have big names, it just needs good ideas, honesty, enthusiasm and determination. Released in 2013, writer/director Jeremy
While there has been only limited transference to other genres such as science fiction (Europa Report, Project Almanac) and superheroics (Chronicle), within horror found footage refuses to die.
