Category: Review

With a resume which includes Scarface, The Untouchables, Casualties of War, Carlito’s Way, The Black Dahlia and the first cinematic Mission: Impossible, the name Brian De Palma is

Imagine, if you will, a world in which a non-human, bow-tie-wearing super-genius takes his human companion(s) on various adventures in his time machine which also happen to act

The themes of humanity versus machine and humanity alongside machine have been explored in minute detail through science fiction novels, films and television, from Dennis Feltham Jones’ 1966

Returning to the world of 2000AD’s figurehead character and the definitive dystopian future lawman Judge Joseph Dredd, faithfully brought to the screen in 2012’s magnificent Dredd, Underbelly both

It’s the quiet ones you have to watch out for. Released in 2010, Jim Mickle’s Stake Land arrived without huge fanfare, the bold individuality of the production belying

Crime is one of comics’ most storied genres, and in order to eke out a space to call their own any new books in this crowded field need

Nothing is so reassuring as to the quality of a film as to rename it before releasing it in a new market in the hopes that any previous

For all the largely justified despondency generated by the endless cycle of unwanted sequels and unnecessary remakes, few have generated as much vitriol as the announcement that Paul

Vampires. Immortal, seductive, destructive, the lonely hunters who walk the night. They have been reinvented time and again in the stories of each generation, from Polidori’s The Vampyre

At its best, the found footage genre manages to convince the audience that it is a genuine document, materials retrieved and assembled in the public interest, often relating