Mark Millar’s latest offering already has movie deals being linked to it, and it is easy to see why. The success of his stories being adapted to screen
It’s interesting to think that one of the most influential and contentious cinematic spy thrillers of all time only came about due to the personal intervention of one
It was supposed to be a simple dinner party, four couples, a few bottles of wine, catching up with old friends, but the awkward conversation of bad career
In a garish hotel room, Nicholas Eastman (Maleficent‘s Brenton Thwaites) receives a message from the individual who identifies himself as Nomad. Having already hacked into the systems of
It may have been John Carpenter’s Hallowe’en in 1978 which is generally regarded as the film which brought the slasher horror subgenre to prominence but it was far
Like Lost in La Mancha to Terry Gilliam’s The Man who Killed Don Quixote (which ironically is in production again, fifteen years after original thwarted attempt), there are
Released in 2010, Gareth Edward’s Monsters was “the little film that could.” His debut feature film, funded for less than $500,000, it toured the festival circuit to great
It opens with a sombre funeral, but as soon as the mourners depart Waldo Trumbull (Vincent Price) and his assistant Felix Gillie (Peter Lorre) of Hinchley and Trumbull’s
“The Canadian film industry of the 1970s was… rudimentary,” recalls producer Ivan Reitman in one of the interviews accompanying Arrow’s newly restored Blu-ray of Canadian writer/director David Cronenberg’s