It’s been two years since writer/director Joe Begos attended Glasgow Film Festival’s FrightFest with his debut feature Almost Human; while it was could not have been described as
Described by Johannes Roberts as “a love letter to Stephen King” at the UK premiere screening at Glasgow Film Festival’s Fright Fest weekend, though he later clarified that
The opening film of the main Fright Fest weekend was screened in a celebratory atmosphere, the tenth year the horror strand has featured at the Glasgow Film Festival.
It is over fifteen years since the first wave of J-horror broke on the shores of America, Ringu, Dark Water, Ju-On, carrying with them in their wake The
It doesn’t need to have big money, it doesn’t need to have big names, it just needs good ideas, honesty, enthusiasm and determination. Released in 2013, writer/director Jeremy
The ever shifting chameleon of fantastic literature, China Miéville’s first publication since the short story collection Three Moments of an Explosion last year, the novella This Census-Taker is
While there has been only limited transference to other genres such as science fiction (Europa Report, Project Almanac) and superheroics (Chronicle), within horror found footage refuses to die.
Opening with the exciting new film from Joel and Ethan Coen, Hail, Caesar! and featuring the British premieres of thriller Green Room, horrors The Forest, The Other Side of
The dedication and determination of Arrow is remarkable, in the breadth of product they bring to the market, cult classics, obscure specialist titles and genuine rarities, and in