Few would deny that the approach has been anything other than Marvellous, a strategy a decade in the planning and execution which has seen ten linked films released
There are films with ambition, films with a message, films crafted to inspire and elate, to inform, to enlighten, to horrify, to criticise corporations and condemn regimes, to
“Every person living on this planet has their own unique pair of eyes,” says Ian Gray, father, husband, scientist: he is bound by what he can observe, measure,
“I didn’t make it as a horror film, I made it as a statement,” says writer/director Michael Armstrong in the interview accompanying Arrow’s Blu-ray release of Mark of
Riding on the crest of a wave of box-office success in the USA, The Maze Runner now hurtles into multiplexes nationwide, the latest in an increasingly desperate succession
Science fiction is most often the medium of the future, looking forward to a tomorrow which may be brighter or may be troubled but will certainly be different,
Like the unstoppable killers of innumerable horror franchises, nothing shouts “do it again!” faster than a box office return which dwarfs the original studio outlay. With takings of
It’s not a typical apocalypse, nor was the inspiration as obvious as the inescapable cold war angst during the escalating tensions between Reagan’s America and the revolving political
Underneath the streets of Paris are located kilometres of catacombs, the burial place of countless number of souls. When a group of mystery investigators decides to enter the
