Superheroes are ubiquitous. Where in the seventies it was cop shows, the eighties action shows, the nineties police and legal procedurals, since the success of Bryan Singer’s X-Men
Theatre changes, theatre evolves, new media penetrate the auditorium in order to keep pace with developments elsewhere in popular culture, but sometimes the best way to incorporate the
The Edinburgh Film School was fortunate indeed in 1963, when the legendary Hollywood foley artist Dusty Horne, a professional who practiced her craft alongside the great Jack Foley
It’s almost a hundred and twenty years since H G Wells‘ The Invisible Man was first published in serialised form, and as with many of the works of “the
Certain places seem to attract a darkness about them, a darkness which once experienced lives on in memory. One such place is Wychwood House, the former mental asylum
It’s not a Fringe without at least one Dracula, a story whose first theatrical production was penned by author Bram Stoker himself, the sole performance of which took
With the work of Sir Arthur Conan Doyle out of copyright, the approval of the estate of the esteemed Edinburgh born author is no longer required in order
In 1961 Yuri gazes up at the ocean of stars above the Baikonur Cosmodrome in Kazakhstan; in some contemporary moment, a young refugee, Sam, stands on the shore
“If these walls could talk… they wouldn’t need to put on plays.” So says the caretaker at the historic Vaudeville Theatre, an establishment with over a hundred years
