There are films with ambition, films with a message, films crafted to inspire and elate, to inform, to enlighten, to horrify, to criticise corporations and condemn regimes, to
“I didn’t make it as a horror film, I made it as a statement,” says writer/director Michael Armstrong in the interview accompanying Arrow’s Blu-ray release of Mark of
Science fiction is most often the medium of the future, looking forward to a tomorrow which may be brighter or may be troubled but will certainly be different,
It’s not a typical apocalypse, nor was the inspiration as obvious as the inescapable cold war angst during the escalating tensions between Reagan’s America and the revolving political
Do zombies eat the flesh of the dead, or only the living? Given sufficient need, will zombies even feast upon each other? Given the evidence of the pilot
Most often seen as a cinematic venture, Star Wars has not always been an easy fit with television, even though the immediate successor to the global phenomenon of
When it was announced that there was to be a television series about Bruce Wayne before he became the Batman there was an understandable fear that it would
Director Joe Dante first made his name as a director of horror served with a twist of humour with Piranha (1978) and The Howling (1981) before embracing comedy
A change of career is something everyone should consider, and within the film industry the most common direction is towards the director’s seat as frequently demonstrated by actors
While some writer/producers can be relied on to consistently deliver viewing which is in equal measures challenging, demanding, compulsive and rewarding, Bryan Fuller alone channels a quirkiness into
