“From the eternal sea he rises, Creating armies on either shore, Turning man against his brother, ‘Til man exists no more.” Thus was the prophecy which heralded the

It opens with a tortured glissando of strings and a passage from the Bible, the verses of the Passover from Exodus; outside where the sun gently illuminates the

Turkish writer/director Can Evrenol is no stranger to Glasgow Film Festival’s FrightFest, experiencing the weekend horror strand first as an attendee then with the original version of Baskin

The name Stephen King is synonymous with modern American horror and any effort to divide the two would be both foolish and misguided, yet for all the genuine

It’s been kind of inevitable that sooner or later it would come back from the grave. Making ten times its budget in the summer of 1984, Ivan Reitman’s

It’s been two years since writer/director Joe Begos attended Glasgow Film Festival’s FrightFest with his debut feature Almost Human; while it was could not have been described as

It’s a tough life being a teenager, but it’s not much more fun being an adult. Sophie wants away from the remote farmhouse she shares with her younger

Described by Johannes Roberts as “a love letter to Stephen King” at the UK premiere screening at Glasgow Film Festival’s Fright Fest weekend, though he later clarified that

The opening film of the main Fright Fest weekend was screened in a celebratory atmosphere, the tenth year the horror strand has featured at the Glasgow Film Festival.

It is over fifteen years since the first wave of J-horror broke on the shores of America, Ringu, Dark Water, Ju-On, carrying with them in their wake The